Surrounded by classroom walls hung with colorful violins and music theory posters, Roshan Reddy counted to three. He raised his palm, a chorus of shiny horns and woodwinds hummed to life, and the first notes of Adele’s “Easy on Me” filled the band room at P.S. 11 elementary school in Brooklyn.
Despite clarinet squeaks and the occasional bleat of a rogue saxophone, almost every student was smiling.
It had been a long two years for Mr. Reddy’s fourth and fifth grade band students, and for music teachers and their students across New York City. When the Covid-19 pandemic shuttered schools, P.S. 11’s music program was one of many that struggled to transition online, interrupting children’s introduction to music during some of the most important years for musical development, according to educators and experts.
P.S. 11 students who had instruments at home practiced in their living rooms, on their fire escapes, in their grandparents’ basements. But many had left their instruments behind, and had to watch from the sidelines as their peers tried to keep time with each other over Google Meet.
Fifth grader Diara Brent, a budding saxophonist, was dismayed that in the chaos of school shutting down, she did not bring her saxophone home. “I was typing in the chat like crazy that I didn’t have the instrument,” she said. “I just listened to them play. I couldn’t do anything.”
Now that P.S. 11 band students have returned to the classroom, they are rediscovering their confidence as musicians. But it has been no small task to fill the hole of lost instruction. “Covid obliterated my program,” said Mr. Reddy, the school’s band director. “It hasn’t come back for every student the way it was.”
The pandemic interrupted music instruction for many elementary schoolers at a critical moment — in the years when their brains are just starting to make “sound to meaning” connections. In New York City public schools, elementary music instruction, which had been stable for five years, decreased by 11 percent between the 2019-20 school year and 2020-21, according to the New York City Department of Education’s Arts in Schools Report.
For students whose only access to music education comes via their public schools, pandemic school closures were especially disruptive. But research also suggests music could help children rebuild what was lost.
P.S. 11’s principal, Abidemi Hope, said having a music program at the school helps her students develop skills beyond academic preparedness, like refining listening and speaking, learning to ask questions, and making complex discoveries. It is also about giving students at her economically diverse school access to music regardless of their economic status.
“Everybody must get an opportunity to at least touch an instrument, learn an instrument, understand that instrument, play that instrument,” she said.
When Ms. Hope was named principal in 2014, the school was academically focused and the music program was small — around 40 students. “I always wanted to change that,” she said.
Ms. Hope hired Roshan Reddy, a working musician, as a full-time music director for her band program in 2018. He had already spent two years as a substitute teacher for the New York State Department of Education, and taught in almost every neighborhood in Brooklyn, but he was impressed by principal Hope’s vision for the music program.
“Principal Hope is always trying to do something new,” said Mr. Reddy. “You think you’ve reached the limits and then Ms. Hope is like we need to go a little bit higher.”
By the end of Mr. Reddy’s first year, classes had been added for string instruments, guitar and ukulele. “Before it was really select,” said Mr. Reddy. “When I came in, I wasn’t going to say no to anybody.”
The program quadrupled in size, supported with a mix of school and P.T.A. funds. At their final concert in spring of 2019, the students from the invigorated music program performed for three hours. “People who had played earlier started leaving by the end of it because it was just so long. They were like ‘I gotta go home.’” Mr. Reddy said, laughing.
P.S. 11’s Class of 2020 did not get to play a final concert. When schools shuttered in March, Mr. Reddy wrapped up electrical wires, tied down the classroom chairs, de-tuned the violins, sanitized his instruments, and packed them away in the band room closet for storage.
Virtual teaching was challenging. “In the beginning it was a nightmare,” said Mr. Reddy. He spent hours making video recording assignments for students to upload to their Google classroom. Over the summer he scoured YouTube looking for any ideas to bolster his curriculum.
The following school year, each music student received a recorder or ukulele to play in class. The students used Chrome Music Lab to make songs and submitted them as assignments. But nothing compared to being in the physical classroom, and some students stopped attending, said Mr. Reddy.
Julian Sanon started as one of Mr. Reddy’s violin students in second grade. He did not attend music class online during the pandemic. Instead, he, his dad and his brothers played music together at home and even created a family band that lasted for a week. But Sanon missed his in-person music classes at school, where he could play more complex arrangements with his friends in the drum line.
Now that school is back in person, “everyone around you is connected in the same music,” said Sanon, back in one of his favorite places: Mr. Reddy’s music room.
“Yeah,” chimed in another fifth grader in the drum line, Miles Dutra. “Because you have to play in harmony. If one person messes up everybody messes up.”
Sanon nodded. “So, when you get it right, it’s kind of like, peaceful.” he said.
Next year, budget cuts may force some schools to reassess their arts programs. School budgets are generally tied to the number of students enrolled, and many schools will see decreases next school year, after the number of students across New York City public schools dropped 6.4 percent since the pandemic’s start.
Elizabeth Guglielmo, Director of Music for NYC Public Schools, said that while music was hard hit during the pandemic, the arts are essential to the resocialization process. “It’s always our hope that it be viewed as a core subject,” Ms. Guglielmo said.
At P.S. 11, enrollment dropped by nearly 3 percent between this school year and the one prior, according to Ms. Hope, who said she may have to rely more heavily on P.S. 11’s relatively large P.T.A. budget, a resource many schools don’t have, to fund the music program. “I hope the mayor is able to rethink how we invest in our kids,” she said.
As his final elementary school year comes to a close, Zair Johnson, a 10-year-old percussionist who made his own drums out of cardboard in his apartment during the pandemic, can be found on Thursdays at drum line practice with a shiny aluminum harness of drums slung over his shoulders.
Johnson loves having all of the classroom instruments at his fingertips. “You can try the congas, violin, piano, djembes, ukulele,” he said. The one instrument he doesn’t recommend is the cello, but he loves to “grab a guitar and just start playing,” he added. “It’s calm for me.”
At home in the evenings, Johnson watches instructional drumming videos on YouTube and uses scenes from the 2002 film “Drumline,” to learn new percussion techniques.
Mr. Reddy recognizes the enthusiasm from his own early days as a musician, when he was growing up on a rural farm in Delaware. “Music was my best friend,” he said.
At school, music instilled confidence and allowed him to participate socially in class without words. It does the same for his quieter students now. “The kids really find their voice through music in a way they couldn’t through something else,” he said.
As P.S. 11’s fifth grade class of 2022 prepares for graduation this month, some of Mr. Reddy’s students have already accepted placements at middle schools with specialized music programs. A goal of the band program is to prepare students for more challenging music instruction. But mostly, Mr. Reddy says, he just wants kids to leave school loving music.
“It’s not about trying to create a little Mozart, it’s about students finding their own strength,” he said. “We’re the people who have to carry music through this moment.”