We know the reason. In Margaret Atwood’s 1969 debut novel, “The Edible Woman,” a character named Duncan copes with chaos by ironing: “I like flattening things out, getting rid of the wrinkles, it gives me something to do with my hands,” he says.
A few days later I was still thinking about Tina ironing those masks, so I asked, outright, what my Facebook friends are doing to manage their own anxieties. When I checked back a few hours later, there were more than 100 comments, and every one of the them was a lesson, or at least a needed reminder, for me.
My friends are giving themselves difficult and absorbing assignments: reading classic novels, learning a new language or a challenging song on the guitar, working complicated puzzles. “I am doing so many puzzles because it feels good to put something back together again,” my friend Erica wrote.
They are throwing themselves into the domestic arts: preparing complex meals, learning to make paper flowers and, yes, ironing. “I’ve been ironing my pillowcases,” wrote Elizabeth. “They feel so crisp and cool on my poor menopausal cheeks.”
They are putting in a garden, in the suburban backyard or on the city balcony. They are feeding the birds and sometimes the turtles, rescuing orphaned opossums, walking in the woods. They are sitting on the porch — just sitting there, listening. At night they are going outside to look at the stars.
They are taking care of others — adopting puppies and lonely neighbors, coaching elderly aspiring writers via Zoom, breaking their own rules against pets in bed, taking the time to get to know their U.S. Mail carriers. They are meeting friends — outdoors and from a safe distance — and making a pact to talk about anything but the coronavirus. They are reveling in the slower pace of family life and falling in love with their partners all over again. My sister, who still lives in Alabama, is sending boxes of Chilton County peaches to faraway friends who have never before experienced the taste of heaven.
Tears welled up as I read their stories, and by the time I’d reached the end, I was openly weeping. It felt like nothing less than a blessing, in this hurt and hurtful time, to remember how creative human beings can be, how tender and how kind.
We may be in the middle of a story we don’t know how will end, or even whether it will end, but we are not helpless characters created and directed by an unseen novelist. We have the power, even in this Age of Anxiety, to enfold ourselves in small comforts, in the joy of tiny pleasures. We can walk out into the dark and look up at the sky. We can remind ourselves that the universe is so much bigger than this fretful, feverish world, and it is still expanding. And still filled with stars.
Margaret Renkl is a contributing opinion writer who covers flora, fauna, politics and culture in the American South. She is the author of the book “Late Migrations: A Natural History of Love and Loss.”
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